A journey across four continents to the heart of the conflict over who should own the great works of ancient art

Why are the Elgin Marbles in London and not on the Acropolis? Why do there seem to be as many mummies in France as there are in Egypt? Why are so many Etruscan masterworks in America? For the past two centuries, the West has been plundering the treasures of the ancient world to fill its great museums, but in recent years, the countries where ancient civilizations originated have begun to push back, taking museums to court, prosecuting curators, and threatening to force the return of these priceless objects.

Where do these treasures rightly belong? Sharon Waxman, a former culture reporter for The New York Times and a longtime foreign correspondent, brings us inside this high-stakes conflict, examining the implications for the preservation of the objects themselves and for how we understand our shared cultural heritage. Her journey takes readers from the great cities of Europe and America to Egypt, Turkey, Greece, and Italy, as these countries face down the Louvre, the Metropolitan Museum, the British Museum, and the J. Paul Getty Museum. She also introduces a cast of determined and implacable characters whose battles may strip these museums of some of their most cherished treasures.

For readers who are fascinated by antiquity, who love to frequent museums, and who believe in the value of cultural exchange, Loot opens a new window on an enduring conflict.

“From the outset I felt quite strongly that I wanted to celebrate the horse in its own right.”                                         —Tim Flach, photographer

No animal has captured the human imagination quite like the horse, depicted in media from cave drawings thousands of years ago through countless renderings in paint, clay, ink, even film. Award-winning photographer Tim Flach’s quest to document the horse has resulted in Equus, an intensely moving look at an animal—as solitary subject and en masse, from the air and from underwater—whose history is so powerfully linked to our own.

From exquisite Arabians in the Royal Yards of the United Arab Emirates to purebred Icelandic horses in their glacial habitat; from the soulful gaze of a single horse’s lash-lined eye to the thundering majesty of thousands of Mustangs racing across the plains of Utah, Equus provides an amazing and unique insight into the physical dynamics and spirit of the horse.