Authors: Herschel B. Chipp.
Paperback, 680 pages
Publisher: University of California Press
Publication Date: 1984-06-13


Reviews :

    Gathers interviews, articles, letters, and manifestos dealing with Postimpressionism, symbolism, fauvism, Expressionism, and cubism....

Authors: Petra ten-Doesschate Chu.
Paperback, 560 pages
Publisher: Prentice Hall
Publication Date: 2006-04-08
Edition: 2nd

Reviews :

   

This survey explores the history of nineteenth-century European art and visual culture. Focusing primarily on painting and sculpture, it places these two art forms within the larger context of visual culture–including photography, graphic design, architecture, and decorative arts. In turn, all are treated within a broad historical framework to show the connections between visual cultural production and the political, social, and economic order of the time. Topics covered include The Classical Paradigm, Art and Revolutionary Propaganda In France, The Arts under Napoleon and Francisco Goya and Spanish Art at the Turn of the Eighteenth Century. For art enthusiasts, or anyone who wants to learn more about Art History.

...

Authors: Charles Harrison. Paul J. Wood. Jason Gaiger.
Paperback, 1120 pages
Publisher: Wiley-Blackwell
Publication Date: 1998-03-13


Reviews :

    Art in Theory 1815-1900 provides the most wide-ranging and comprehensive collection of documents ever assembled on nineteenth-century theories of art. Like its highly successful companion volume, Art in Theory 1900-1990, also edited by Charles Harrison and Paul Wood, its primary aim is to provide students and teachers with the documentary material for informed and up-to-date study. Its 260 texts, clear organization and considerable editorial content combine to furnish a vivid and indispensable introduction to the history of the art of the period. The anthology is also invaluable to anyone interested in the wider cultural debates of the nineteenth century, and in the development of modern aesthetic theories. Harrison, Wood and Gaiger collect writings by artists, critics, philosophers and literary figures, some reprinted in their entirety, others excerpted from longer works. Among the major themes treated are concepts of genius and originality, modes of landscape painting, approaches to Realism, the question of Modernity and debates over Impressionism, theories of optics and color, the aesthetics of photography, and the rise of photography. Each section is prefaced by an essay that situates the ideas of the period in their historical context, while relating theoretical concerns and debates to developments in the practice of art. Each text is briefly introduced by an outline giving the circumstances of its original appearance and indicating its relevance to the development of modern artistic theory. An extensive bibliography is also provided....

    The ideas of some of the most influential artists, writers and thinkers of our times about 19th century art are collected in this vast collection of essays. Collectively they tackle difficult issues like the definition of Modern art and tracing the history of aesthetics. Schopenhauer addresses originality and genius, Karl Marx tackles the modern condition, Sir William Newton and Charles Baudelaire struggle with the new notion of photography as art. An 1881 essay by Juis-Karl Huysmans in which he writes of Degas's Little Dancer as "the only genuinely modern experiment in sculpture that I have yet encountered" is a notable inclusion in this volume which includes literally hundreds of texts (many of them translated into English in order to be included in the anthology) that address the artistic issues of the era as well as the social, historical and cultural elements that impacted it. The editors are noted art historians and philosophers who do an excellent job of introducing each chapter as well as the individual pieces of writing where necessary. Art in Theory is an essential reference for students of art as well as anyone interested in the cultural development of the 19th century....

Authors: Robert Atkins.
Paperback, 224 pages
Publisher: Abbeville Press
Publication Date: 1993-04


Reviews :

    A dictionary of modern art terms, covering such art trends as impressionism, surrealism, futurism, and fauvism....

Authors: Robert Rosenblum. HW Janson.
Hardcover, 544 pages
Publisher: Prentice Hall
Publication Date: 2004-09-01
Edition: 2nd Trade

Reviews :

    Appropriate for Art majors. Originally published twenty years ago, Nineteenth Century Art, Second Edition remains true to the original, with its superior survey of Western painting and sculpture presented in four historical parts, beginning in 1776 and ending with the dawn of the new century. This text draws on the historical documentation of the period, tracing the dynamics of the making and viewing of art, and examining the reciprocal influences of art and technology, art and politics, art and literature, art and music....

Authors: Siegfried Wichmann.
Paperback, 432 pages
Publisher: Thames & Hudson
Publication Date: 1999-11-19


Reviews :

    Japan's impact on Western art was as immediate and almost as cataclysmic as the influence of the West on Japanese life. After Commodore Perry opened Japan's door to the outside world in 1858--ending a 200-year period of total isolation--a wealth of visual information from the superb Japanese traditions of ceramics, metalwork, and architecture, as well as print-making and painting, reached the West and brought electrifying new ideas on composition, color, and design. One has only to see a celebrated painting by Monet, Degas, Whistler, or van Gogh, an Art Nouveau glass vase, or a lacquered hair comb side by side with its Japanese source to see how those ideas have inspired artists. Nor is the influence a superficial one: Japanese conventions of symbolism underlie the use of decorative motifs in European Symbolism and Art Nouveau, and the Zen idea of spontaneity is the ultimate source of both the apparently capricious shapes of Art Nouveau ware and the development of an abstract "calligraphy" in Abstract Expressionism. Siegfried Wichmann, the acknowledged expert on Japonisme, surrounds his breathtaking illustrations with a text that, in marshaling a wealth of detail, encapsulates the present state of research and opens up new lines of enquiry. ...

Authors: Janis Angela Tomlinson.
Paperback, 278 pages
Publisher: Prentice Hall
Publication Date: 1995-08-31


Reviews :

   

This chronological anthology of recent critical scholarship on 19th-century European art represents a wide range of current methodologies and issues. The book features recent scholarship — since the mid-1980s; represents a diversity of methods; deals with major figures of 19th-century art; emphasizes French art — reflecting the interests of recent scholarship and a contemporary focus; and focuses on the concerns of recent scholarship — e.g., the recurrence of themes such as the female nude, the role of the critic, and exhibitions and institutions.

...

Authors: Celeste Olalquiaga.
Paperback, 336 pages
Publisher: University of Minnesota Press
Publication Date: 2002-12


Reviews :

    From her pet glass-globed hermit crab Rodney to the Victorian era's Crystal Palace, Celeste Olalquiaga offers a meditative look at the origins of kitsch and what kitsch tells us about the conflicts between the real and the artificial, tradition and modernity, nostalgia and melancholy. Olalquiaga artfully traces this form to the mid-1800s and establishes kitsch as a sensibility of loss-a yearning for objects to help recapture the past-and explains how these artifacts respond to a deep-seated human need for meaning and connection with nature. The Artificial Kingdom beautifully elucidates this aspect of culture as an attempt to recover what industrialization has destroyed.

"Ingenious, fascinating, and melancholic." Peter Woolen, London Review of Books

"Olalquiaga finds an explanation of the modern-age question: why the subject of an artwork can seem more alive in representation than in life." New York Times Book Review

"Stunning. A potent, incantatory exploration into the emotional resonance of kitsch." Art Papers

Celeste Olalquiaga is an independent scholar who has received Rockefeller and Guggenheim awards. She is the author of Megalopolis: Contemporary Cultural Sensibilities (Minnesota, 1992). She lives in Paris....

Authors: Albert Boime.
Hardcover, 784 pages
Publisher: University Of Chicago Press
Publication Date: 2008-06-01


Reviews :

    ...

Authors: Stephen Jones.
Paperback, 96 pages
Publisher: Cambridge University Press
Publication Date: 1985-10-31


Reviews :

    The eighteenth century was an age of careful balance between classicism and romanticism in the arts and one moulded by the tension between individualism and the rise of middle-class taste. Stephen Jones outlines the main artistic developments of this period, relating them at all points to the experience of daily life in the age and highlighting the important figures in the arts whose careers exemplify the general themes - from Madame de Pompadour to Gainsborough and Nash. This introduction does not assume a wide background knowledge. Themes are explained in context and technical terms made clear. The book introduces important elements which have often been given insufficient emphasis: the central place of the garden and landscaped park in the taste of patrons and builders and the influence of both French and Industrial revolutions on eighteenth-century art....